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The Filmlosophers

The gentleman's post-credits discourse. Enthusiastic and tactful, hosts Eddie Villanueva, Spencer Williams and Chad Riley offer candid observations about current events in the movie industry, film reviews and various other movie buff sundries. When the lights come up, the conversations goes down.
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Now displaying: January, 2019
Jan 30, 2019

The Filmlosophers, Eddie Villanueva, Chad Riley and Spencer Williams, dust off their swords and take a few practice swings for this week’s review of The Kid Who Would Be King (2019). The film brings the myth of King Arthur, Excalibur, Merlin and the Knights of the Round Table into the present-day and caters strongly to the YA crowd in terms of both tone and complexity. Directed by Joe Cornish, the film stars a boatload of British youngsters including Louis Ashbourne Serkis, Dean Chaumoo, Angus Imrie, Rhianna Dorris and Tom Taylor alongside Rebecca Ferguson and Sir Patrick Stewart.

One part Arthurian legend and one part Disney’s “The Sword in the Stone” brought into the modern world, the movie works hard to court its young intended audience. In spite of its dismal North American box office opening, is there something worth watching after all?

Jan 23, 2019

The Filmlosophers, Eddie Villanueva, Chad Riley and Spencer Williams, get mental with this week’s review of M. Night Shyamalan’s Glass (2019), the trilogy-concluding sequel to Unbreakable (2000) and Split (2016). The film unites Bruce Willis, Samuel L. Jackson and James McAvoy under one roof, as their respective characters are psychologically evaluated by franchise newcomer Sarah Paulson.

Will Jackson’s titular Elijah Price, aka Mister Glass, be able to outthink the shrink and cast his fellow patients as superheroes (or supervillains) in full view of the public? And will we care, once the time comes?

Jan 16, 2019

The Filmlosophers, Eddie Villanueva, Chad Riley and Spencer Williams, take time to appreciate their surroundings with this week’s review of Alfonso Cuarón’s ROMA (2018). Comprised almost entirely of scenes taken from Cuarón’s memory and shot on location in Mexico City, the film stars Yalitza Aparicio, Marina de Tavira, Diego Cortina Autrey and several others. Its gorgeous, panoramic cinematography provides a meditative look at the places, people and ideas that shaped a generation.

ROMA has been described as Cuarón’s most essential and personal work to date, and fellow director Guillermo del Toro has already listed it as one of his top five favorite films of all time. The Netflix-distributed film is also generating quite a lot of buzz and nominations during the current award season.

Jan 9, 2019

The Filmlosophers, Eddie Villanueva, Chad Riley and Spencer Williams, wax a bit nostalgic as they discuss the highs (and lows) of the films of yesteryear. Perusing through the library of reviews they’ve done for 2018, the Trio find themselves relishing in some of the most memorable times -both good and bad- in cinema. Nothing is off the table, as the conversation veers from the most ridiculous and silly, to the most heartfelt and moving of instances we’ve shared on the show. How does our list stack up to yours? Are any of our choices ones you considered for best/worst of 2018?

Listen in as we chop it up casual-style and talk about which films moved us, and which ones needed to move out of the theater faster. Tune in to another episode of The Filmlosophers!

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